Rembrandt at the Getty
The exhibition "Rembrandt's Late Religious Portraits" opens today at the Getty Museum in Los Angeles.
Rembrandt
"Hendrickje Stoffels, Possibly as the Sorrowing Virgin"
30 7/8" x 27 1/8" oil on canvas 1660
The Metropolitan Museum of Art
Tyler Green's thoughts on the exhibit during its first stop in D.C. bring up an important question, "No one knows why, near the end of his life, Rembrandt painted so many religious figures who devoted their lives to spiritual goals and who were killed for it. Arthur Wheelock, the NGA curator who put together this show, brought these paintings together in an effort to spark some thought on the question."
Tyler Green's superb piece concludes with an echo of Lawrence Weschler's "Vermeer in Bosnia" by providing a wartime context to Rembrandt's portraits of martyrs:
"Just as now is a time of battle in the Middle East, so too was the Netherlands in Rembrandt's time. In the seventeenth century the Dutch fought wars with the Spanish and the British. The First Anglo-Dutch War ended in 1654 (and naval skirmishes continued for years), just a few years before Rembrandt began the paintings shown here.
As with Vermeer's paintings, you'd never know that Rembrandt lived surrounded by war. (The presence of several hushed Vermeers in a gallery adjacent to the Rembrandt show underscores this point.) Rembrandt's quiet portraits reject blood and violence in favor of humility and introspection. I can't help but think that's part of why they still look so great today."
Tyler's recognition of the humility and introspection in Rembrandt's late portraits is a point that bears repeating. I had a chance to speak with the painter Chester Arnold this weekend whose "To Never Forget: Faces of the Fallen" exhibition of memorial portraits of American troops killed in action in Iraq continues to travel across the country. Sadly, Arnold's exhibition continually needs updating as more troops fall in Iraq. But Chester Arnold and the group of artists that he has gathered continue to create poignant images with a humility and introspection that Rembrandt would understand.
"Rembrandt's Late Religious Portraits" runs until August 28th and is accompanied by a wide range of lectures and events.
To start things off at the Getty: Thursday June 9th at 7:00pm, Arthur K. Wheelock, Jr. - curator of northern baroque painting at the National Gallery of Art, Washington D.C. and organizer of the exhibition, discusses Rembrandt's late work and will explore the spiritual nature of the assembled paintings.
Rembrandt
"Hendrickje Stoffels, Possibly as the Sorrowing Virgin"
30 7/8" x 27 1/8" oil on canvas 1660
The Metropolitan Museum of Art
Tyler Green's thoughts on the exhibit during its first stop in D.C. bring up an important question, "No one knows why, near the end of his life, Rembrandt painted so many religious figures who devoted their lives to spiritual goals and who were killed for it. Arthur Wheelock, the NGA curator who put together this show, brought these paintings together in an effort to spark some thought on the question."
Tyler Green's superb piece concludes with an echo of Lawrence Weschler's "Vermeer in Bosnia" by providing a wartime context to Rembrandt's portraits of martyrs:
"Just as now is a time of battle in the Middle East, so too was the Netherlands in Rembrandt's time. In the seventeenth century the Dutch fought wars with the Spanish and the British. The First Anglo-Dutch War ended in 1654 (and naval skirmishes continued for years), just a few years before Rembrandt began the paintings shown here.
As with Vermeer's paintings, you'd never know that Rembrandt lived surrounded by war. (The presence of several hushed Vermeers in a gallery adjacent to the Rembrandt show underscores this point.) Rembrandt's quiet portraits reject blood and violence in favor of humility and introspection. I can't help but think that's part of why they still look so great today."
Tyler's recognition of the humility and introspection in Rembrandt's late portraits is a point that bears repeating. I had a chance to speak with the painter Chester Arnold this weekend whose "To Never Forget: Faces of the Fallen" exhibition of memorial portraits of American troops killed in action in Iraq continues to travel across the country. Sadly, Arnold's exhibition continually needs updating as more troops fall in Iraq. But Chester Arnold and the group of artists that he has gathered continue to create poignant images with a humility and introspection that Rembrandt would understand.
"Rembrandt's Late Religious Portraits" runs until August 28th and is accompanied by a wide range of lectures and events.
To start things off at the Getty: Thursday June 9th at 7:00pm, Arthur K. Wheelock, Jr. - curator of northern baroque painting at the National Gallery of Art, Washington D.C. and organizer of the exhibition, discusses Rembrandt's late work and will explore the spiritual nature of the assembled paintings.
posted by Gregg Chadwick at 9:38 AM
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