Monday, January 29, 2018

Walk-through of "Points of Departure" at the Arena 1 Gallery, Santa Monica





Points of Departure 
(An exhibition curated by Maurizzio Hector Pineda) 
A film by Collin Stark

"These studio artists offer a visual mediation of time, site, and process. In this time of maelstrom and uncertainty, Points of Departure offers a visual respite for viewers to depart from the daily noise of contemporary life." - Maurizzio Hector Pineda, Curator

Participating artists; Janine Brown, Stephanie Cate, Gregg Chadwick, Claudia Concha Perea, Lola del Fresno, Wendy Edlen, Judith Golden, Deborah Lynn Irmas, Christiane Johnson, Sheila Karbassian, Sally Lamb, Jackie Nach, Maddy Le Mel, Luigia Martelloni, Susie McKay Krieser, Malvina Milliron, Shae Rocco, Paula Rosen, Melinda Smith Altshuler, Gwen Samuels, Rebecca Setareh, Elham Sagharchi, Diane Silver, Pamela Simon-Jensen, Doni Silver Simons, Collin Stark, Joan Wulf, Karen Woo and more.

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Friday, January 05, 2018

Please Save the Date: Gregg Chadwick’s Art Coming to "The Other Art Fair" in Downtown L.A. March 15 - March 18, 2018



Gregg Chadwick
City Lights (Chaplin's Night)

48”x36” oil on linen 2017

Gregg Chadwick will have a booth at the inaugural Los Angeles edition of The Other Art Fair which comes to Downtown Los Angeles from March 15-18. Chadwick will show a selection of artworks from his traveling exhibition Mystery Train, which examines the mythos of America as seen through the physical and cultural history of the railroad in the United States, and also a new series of works that engage the viewer in the story of Los Angeles.
Hosted at the Majestic Downtown, and presented by the world's leading online art gallery Saatchi Art, the Fair showcases work by 110 talented emerging artists, each hand picked by a selection committee of art world experts. Art lovers can visit the fair with the confidence that they are buying from the very best and most promising emerging artists in a unique and immersive experience.

“Overflowing with creative talent” 
Time Out

"The Other Art Fair's got hipster credentials, but it's serious about nurturing talent too."

Telegraph Luxury

The Other Art Fair will make its LA debut at the Majestic Downtown from March 15th – 18th 2018. Tickets for the fair are now live and for more information about the fair program visit la.theotherartfair.com
Hours for the art fair are:
  • Thursday, March 15: 6 to 9:30 p.m. (private viewing, with limited tickets available)
  • Friday, March 16: 12 p.m. to 9 p.m.
  • Saturday, March 17: 11 a.m. to 7 p.m.
  • Sunday, March 18: 11 a.m. to 6 p.m.
Early Bird tickets are currently available online for Friday, Saturday and Sunday admission for just $8. After January 8, tickets will start at $15. Admission to the private viewing on Thursday is $30.



Details

Start:
March 15
End:
March 18
              Event Category:
Website:
http://la.theotherartfair.com/
https://www.greggchadwick.com 

Venue

Majestic Downtown
650 South Spring Street 
Los Angeles, 90014 United States
Website:
https://themajesticdowntown.com


Gregg Chadwick

Mystery Train (20th Century Limited)
60”x48” oil on linen 2016

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Wednesday, January 03, 2018

Tomorrow Night the Hammer Museum Presents Ai Weiwei's Film "Human Flow"





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Saturday, September 23, 2017

New Biography of Leonardo da Vinci by Walter Isaacson



“Walter Isaacson is at once a true scholar and a spellbinding writer. And what a wealth of lessons are to be learned in these pages.” —David McCullough, two-time winner of the Pulitzer Prize

Walter Isaacson, author of a new biography of Leonardo da Vinci, discusses the Renaissance genius' wildly eclectic notebooks that contained everything from landscape sketches to math equations to 'to do' lists. For more about Leonardo da Vinci by Walter Isaacson http://ow.ly/cHwn30d8Yrg

Also by Walter Isaacson
Steve Jobs
 
Einstein
 
Benjamin Franklin
 
The Innovators

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Saturday, September 09, 2017

Please Join Me at Art & Home 2017: a Benefit for LA Family Housing

by Gregg Chadwick


 
Gregg Chadwick
Generation Pink
14”x11” oil on panel 2017

 Generation Pink will be exhibited at Art & Home 2017, a benefit for LA Family Housing hosted by Room & Board in Culver City. 

 In collaboration with Angeleno magazine, please join us for a special art show at Room & Board in Culver City on September 13, 2017.
Over 100 local, contemporary artists have donated artworks in support of LA Family Housing. (LAFH).
Dedicated to helping families and individuals transition out of homelessness and poverty, LAFH offers a range of housing opportunities enriched with supportive services.

Artwork on display in the showroom will be available for purchase for $400!
If you have always wanted a Chadwick, this is a wonderful opportunity to get an artwork at an affordable price and to support an important cause.

Please RSVP at https://lafh.org/artandhome

Wednesday, September 13 at 7 PM - 9 PM
Room & Board
8707 Washington Blvd, Culver City, California 90232


More at:
https://www.facebook.com/events/1864796443838619/
https://lafh.org/


Don't forget my recent Clark Hulings Fund podcast with Daniel DiGriz.

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Friday, September 08, 2017

You Are Invited - Sept 15, 2017 : Luchador’s Dream - Inspired by Sergio Arau (New Paintings by Gregg Chadwick)

by Gregg Chadwick



Gregg Chadwick
Flor De Asfalto (for Sergio Arau)
56”x86” oil on linen 2017




With his music, words and images, Sergio Arau has inspired me to create a series of paintings that feature him as the main character in my painted movies. Rock Star, actor, director, screenwriter, and artist Sergio Arau has often performed while wearing gear honoring Mexico's most famous wrestling star El Santo (The Man In the Silver Mask). Known as lucha libre, Mexican wrestlers such as El Santo are defenders of the poor and vulnerable. By taking on the persona of the Luchador (wrestler), Josh Kun writes in Audiotopia: Music, Race, and America, Sergio Arau and his bands have mixed "the traditional with the contemporary, the rural with the urban, the American with the Mexican, the charro with the rockero." 

My paintings in Luchador's Dream carry Sergio Arau into a Los Angeles seemingly pulled from the lyrics of his songs or gathered from scenes of his films that were left on the cutting room floor. 

Gracias Sergio!


The exhibition runs from September 7 - October 7, 2017

(Luchador's Dream is, in true rock n' roll fashion, a completely unaffiliated, and unofficial satellite exhibition of 2017: Año de México en Los Ángeles / Mexico in Los Angeles 2017)


What: Luchador’s Dream - Inspired by Sergio Arau (New Paintings by Gregg Chadwick)

Where: La Galería de la Cocina - Santa Monica Art Studios, 3026 Airport Ave. SM 90405 
When:  Opening - September 15, 2017, 6:00pm - 8:00pm

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Sunday, August 06, 2017

Dancing at the Apocalypse: Jesse Malin's "Meet Me at the End of the World"

by Gregg Chadwick

"Anybody who says politics and music don't mix is, that's just in your face stupid." 
– Lucinda Williams




Jesse Malin: Fox News Funk from Meet Me at the End of the World

Jesse Malin's new EP, Meet Me at the End of the World, is out. Produced by Joseph Arthur, this collection of four new songs timely addresses our current Trumpian tribulation and is sparking some major conversations across the music world. Lucinda Williams was so inspired by Malin's Meet Me at the End of the World, that, as  reports in Rolling Stone, Williams "hopped on the phone with the D Generation frontman ... for a wide-ranging chat about their approach to songwriting, politics, Canadian electro dynamo Peaches, and a possible future collaboration." In their conversation Williams and Malin earnestly conversed about the mix of politics and music in their art. Williams said,"Anybody who says politics and music don't mix is, that's just in your face stupid." 
Malin replied,"You walk out your door and it's political. You're dealing with it. You need gas in your car, you need food, everything is always just class-related, and rock music has always had an awareness of class and separation in the downtrodden." Continuing this thought Malin expressed to Nate Herwick on Grammy.com that, "And [I thought about] how much the media is owned by the government, by the big corporations, so you're not getting the full story. I think [this song is] a call to people to go beyond that, go with their guts and their hearts. You have got to treat the people around you with love, but you also have to question the powers that be, because as much as I love this country and this planet, there are some people that are out to line their own pockets and have an agenda." 



Jesse Malin


Summing up the album Malin said to Williams,"the music is what brings us together, and we need it right now. We need each other. We need to stand together, and support each other, and give the message, which is really love. I mean, to me, Meet Me at the End of the World as a record is about survival. And you have to live your life like it could be the last day."



Jesse Malin: Revelations/Thirteen from Meet Me at the End of the World



Jesse Malin: London Rain from Meet Me at the End of the World



Jesse Malin: Meet Me at the End of the World from Meet Me at the End of the World

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Saturday, June 03, 2017

"Bookseller's Night" by Gregg Chadwick in the latest issue of The Santa Ana River Review

Honored to have my painting "Bookseller's Night" in the latest issue of The Santa Ana River Review. A wonderful art and literary magazine out of UC Riverside.

Link Here: http://sarreview.ucr.edu/booksellers-night/



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Saturday, March 18, 2017

TODAY: Gregg Chadwick: A Retrospective Look at the 11th Annual Santa Monica Airport Artwalk

by Gregg Chadwick

Today - a special look at my paintings and monotypes at the Santa Monica Art Studios on March 18, 2017 from 12-5 pm as part of the 11th Annual Santa Monica Airport Artwalk.  

Featuring A Balance of Shadows from my 2004 solo exhibition in San Francisco and an overview of my artwork from 1999-2017, my studio will be a time capsule for one day. 
Many of the artworks on view have been loaned from private collections and are rarely on public view. In addition, a choice selection of paintings and monotypes will be available for purchase. 


Gregg Chadwick
The City Drifts (San Francisco)18"x14" oil on linen 1999
from San Francisco solo exhibition - A History of Light 1999
Many of my paintings are inspired by poetry, history, and literature. When I lived in San Francisco and often on return visits, Lawrence Ferlinghetti's bookstore City Lights beckoned. A few years ago with my great friend Phil Cousineau on a book tour for our joint effort The Painted Word, we were able to stand together in a packed upper room at City Lights and express our deep admiration for Ferlinghetti's inspiration. My painting The City Drifts (San Francisco) seems to carry the feelings we all felt in the bookstore that night. Ferlinghetti's poem The Changing Light (see below) embodies that wistful moment.


The Changing Light

by Lawrence Ferlinghetti


The changing light

at San Francisco

is none of your East Coast light


none of your

pearly light of Paris

The light of San Francisco

is a sea light

an island light

And the light of fog

blanketing the hills

drifting in at night

through the Golden Gate

to lie on the city at dawn

And then the halcyon late mornings

after the fog burns off

and the sun paints white houses

with the sea light of Greece

with sharp clean shadows

making the town look like

it had just been painted

But the wind comes up at four o'clock

sweeping the hills

And then the veil of light of early evening

And then another scrim

when the new night fog

floats in

And in that vale of light

the city drifts

anchorless upon the ocean

"The Changing Light" by Lawrence Ferlinghetti, from How to Paint Sunlight. © New Directions Publishing Corporation, 2001.





Copies of my brother Kent Chadwick’s wonderfully detailed book on my art will also be available for purchase. 

A Balance of Shadows: Gregg Chadwick's Paintings 
Hardcover – February 6, 2016
E-book Version 

Also, I am happy to announce that I have designed a line of clothing and accessories based around my paintings for VIDA fashion.  

Apparel and Accessories Available Online at VIDA


Hope to see you there! 


SATURDAY, MARCH 18, 2017
12-5 PM
Studio #15
Santa Monica Art Studios
3026 Airport Ave., Santa Monica, CA 90405
Free parking outside the hangar.




More on Gregg Chadwick at www.greggchadwick.com


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Thursday, October 06, 2016

Bono Takes on Trump in San Francisco!

by Gregg Chadwick


Bono and I have a bit of a history with Bullet the Blue Sky and its deeply held meaning in terms of a vision of America. I wrote Bono in 2008, the night before his planned meeting with then VP candidate Sarah Palin. (Full letter here- Bullet the Blue Sky

I asked Bono then to "please remember what America means. Please remember your inspiration to write and perform "Bullet the Blue Sky" as you watched the Reagan administration's support of Salvadoran death squads and Nicaraguan contras. America is not torture, Abu Ghraib or Guantanamo. America is the promise of hope and liberty." 

Last night in San Francisco, Bono spoke truth to a candidate in love with power and himself.  They posted a video of the song with a simple title - Liberty... 

Bravo to U2!

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Thursday, September 15, 2016

Artspace Artist Spotlight on Gregg Chadwick


Gregg Chadwick
The Artist (Joseph Beuys)
Oil on Linen
24.00 x 30.00 in
61.0 x 76.2 cm
Unique Work
This work is signed, titled, and dated on verso.


Honored to have my art recognized by as a featured artist! Link here:  and here: http://www.artspace.com/gregg-chadwick


Below you will find a rarely featured video by the artist Joseph Beuys from 1982.


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Monday, July 25, 2016

London Calling at Getty Museum

London Calling - So excited for this exhibit at
Opens on July 26, 2016





Love the catalog -

Thank you RB Kitaj

School of L.A. (RB Kitaj - Westwood 3/08/07)

School of L.A. (RB Kitaj - Westwood 3/08/07)
Gregg Chadwick
40"x30" oil on linen 2007

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Monday, May 09, 2016

Full Remarks by U.S. Attorney General Loretta Lynch and Civil Rights Division Leader Vanita Gupta on North Carolina's Anti-LGBT HB 2



Loretta Lynch to transgender community: 
"We see you, we stand with you and we will do everything we can to protect you." 


Full Remarks by U.S. Attorney General Loretta Lynch:

Good afternoon and thank you all for being here.  Today, I’m joined by Vanita Gupta, head of the Civil Rights Division at the Department of Justice.  We are here to announce a significant law enforcement action regarding North Carolina’s Public Facilities Privacy & Security Act, also known as House Bill 2. 

The North Carolina General Assembly passed House Bill 2 in special session on March 23 of this year.  The bill sought to strike down an anti-discrimination provision in a recently-passed Charlotte, North Carolina, ordinance, as well as to require transgender people in public agencies to use the bathrooms consistent with their sex as noted at birth, rather than the bathrooms that fit their gender identity.  The bill was signed into law that same day.  In so doing, the legislature and the governor placed North Carolina in direct opposition to federal laws prohibiting discrimination on the basis of sex and gender identity.  More to the point, they created state-sponsored discrimination against transgender individuals, who simply seek to engage in the most private of functions in a place of safety and security – a right taken for granted by most of us.  




Last week, our Civil Rights Division notified state officials that House Bill 2 violates federal civil rights laws.  We asked that they certify by the end of the day today that they would not comply with or implement House Bill 2’s restriction on restroom access.  An extension was requested by North Carolina and was under active consideration.  But instead of replying to our offer or providing a certification, this morning, the state of North Carolina and its governor chose to respond by suing the Department of Justice.  As a result of their decisions, we are now moving forward. 

Today, we are filing a federal civil rights lawsuit against the state of North Carolina, Governor Pat McCrory, the North Carolina Department of Public Safety and the University of North Carolina.  We are seeking a court order declaring House Bill 2’s restroom restriction impermissibly discriminatory, as well as a statewide bar on its enforcement.  While the lawsuit currently seeks declaratory relief, I want to note that we retain the option of curtailing federal funding to the North Carolina Department of Public Safety and the University of North Carolina as this case proceeds.

This action is about a great deal more than just bathrooms.  This is about the dignity and respect we accord our fellow citizens and the laws that we, as a people and as a country, have enacted to protect them – indeed, to protect all of us.  And it’s about the founding ideals that have led this country – haltingly but inexorably – in the direction of fairness, inclusion and equality for all Americans. 

This is not the first time that we have seen discriminatory responses to historic moments of progress for our nation.  We saw it in the Jim Crow laws that followed the Emancipation Proclamation.  We saw it in fierce and widespread resistance to Brown v. Board of Education.  And we saw it in the proliferation of state bans on same-sex unions intended to stifle any hope that gay and lesbian Americans might one day be afforded the right to marry.  That right, of course, is now recognized as a guarantee embedded in our Constitution, and in the wake of that historic triumph, we have seen bill after bill in state after state taking aim at the LGBT community.  Some of these responses reflect a recognizably human fear of the unknown, and a discomfort with the uncertainty of change.  But this is not a time to act out of fear.  This is a time to summon our national virtues of inclusivity, diversity, compassion and open-mindedness.  What we must not do – what we must never do – is turn on our neighbors, our family members, our fellow Americans, for something they cannot control, and deny what makes them human.  This is why none of us can stand by when a state enters the business of legislating identity and insists that a person pretend to be something they are not, or invents a problem that doesn’t exist as a pretext for discrimination and harassment.



Let me speak now to the people of the great state, the beautiful state, my state of North Carolina.  You’ve been told that this law protects vulnerable populations from harm – but that just is not the case.  Instead, what this law does is inflict further indignity on a population that has already suffered far more than its fair share.  This law provides no benefit to society – all it does is harm innocent Americans.  

Instead of turning away from our neighbors, our friends, our colleagues, let us instead learn from our history and avoid repeating the mistakes of our past.  Let us reflect on the obvious but often neglected lesson that state-sanctioned discrimination never looks good in hindsight.  It was not so very long ago that states, including North Carolina, had signs above restrooms, water fountains and on public accommodations keeping people out based upon a distinction without a difference.  We have moved beyond those dark days, but not without pain and suffering and an ongoing fight to keep moving forward.  Let us write a different story this time.  Let us not act out of fear and misunderstanding, but out of the values of inclusion, diversity and regard for all that make our country great. 

Let me also speak directly to the transgender community itself.  Some of you have lived freely for decades.  Others of you are still wondering how you can possibly live the lives you were born to lead.  But no matter how isolated or scared you may feel today, the Department of Justice and the entire Obama Administration wants you to know that  we see you; we stand with you; and we will do everything we can to protect you going forward.  Please know that history is on your side.  This country was founded on a promise of equal rights for all, and we have always managed to move closer to that promise, little by little, one day at a time.  It may not be easy – but we’ll get there together.  

I want to thank my colleagues in the Civil Rights Division who have devoted many hours to this case so far, and who will devote many more to seeing it through.  At this time, I’d like to turn things over to Vanita Gupta, whose determined leadership on this and so many other issues has been essential to the Justice Department’s work.


Remarks by Civil Rights Division Leader Vanita Gupta:

Thank you, Attorney General Lynch, for those powerful words.  Throughout the arc of our country’s history – from tragedies of injustice to marches for equality – there have been pivotal moments when America’s leaders chose to stand up and speak out to safeguard the ideal of equal justice under law.  And history will record your inspiring words and our forceful action today as one of these moments.  

I also want to take a moment to thank the entire team throughout the Civil Rights Division and the Department of Justice, who have worked tirelessly over the last several weeks to ensure that everyone in North Carolina has the full protections of our laws.

Today, we filed a federal civil rights complaint in federal court in the Middle District of North Carolina.  Before I discuss the details of our legal argument, I want to make one thing clear.  Calling H.B. 2 a “bathroom bill” trivializes what this is really about.  H.B. 2 translates into discrimination in the real world.  The complaint we filed today speaks to public employees who feel afraid and stigmatized on the job.  It speaks to students who feel like their campus treats them differently because of who they are.  It speaks to sports fans who feel forced to choose between their gender identity and their identity as a Tar Heel.  And it speaks to all of us who have ever been made to feel inferior – like somehow we just don’t belong in our community, like somehow we just don’t fit in.  Let me reassure every transgender individual, right here in America, that you belong just as you are.  You are supported.  And you are protected.

Our complaint brings legal claims under three different civil rights statutes.  Two of these statutes are long-standing protections against discrimination in the employment and education contexts: Title VII of the Civil Rights Act of 1964 and Title IX of the Education Amendments of 1972.  It is fitting that these statutes – which emerged from our nation’s long struggle to banish a legacy of legal discrimination – are now being used to defend, to uphold and to reaffirm the progress that resulted from that struggle; progress that represents America at its best, at its brightest and at its strongest.

Title IX and Title VII prohibit discrimination based on sex.  The Department of Justice has for some time now made clear that sex discrimination includes discrimination against transgender people – that is, discrimination based on gender identity.  That is consistent not only with the language of the statutes, but also with the legal interpretations adopted by federal courts – including the appellate court with jurisdiction over the state of North Carolina.  There is nothing radical or even particularly unusual about the notion that the word “sex” includes the concept of “gender.”  Transgender people are discriminated against because their gender identity does not match the sex they were assigned at birth.  H.B. 2 denies transgender people something that all non-transgender people enjoy and take for granted: access to restrooms consistent with their gender identity.  That’s sex discrimination, plain and simple.  This view is only confirmed when proponents of measures like H.B. 2 misinterpret or make up facts about gender identity.  Here are the facts.  Transgender men are men – they live, work and study as men.  Transgender women are women – they live, work and study as women.

Our Title VII claim is brought against the state and governor of North Carolina, the North Carolina Department of Public Safety and the University of North Carolina because of sex discrimination in employment.  Our Title IX claim is brought against the University of North Carolina because of sex discrimination in its education programs.

We also bring a claim under the Violence Against Women Act, or VAWA, a more recent statute specifically designed to prevent discrimination against transgender people by entities that accept certain federal funds.  As with Title IX, entities that accepted federal funds under VAWA – including UNC and the North Carolina Department of Public Safety – pledged that they would not discriminate on the basis of sex or gender identity.  Our complaint seeks to enforce that pledge and hold those entities accountable for the discrimination required by H.B. 2.

Even as we seek that compliance, we remain committed to working with any agency receiving federal funding to develop a plan to ensure their compliance with federal law.

For the reasons I just highlighted, H.B. 2 violates the law.  But H.B. 2 also threatens the values that define us as a people.  These values are timeless.  These values say to all people that you can be who you are, and you deserve to live with dignity.

The complaint filed today seeks to enforce these laws and protect these values.  At this time, the Attorney General and I would be happy to answer any questions you may have.

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Thursday, March 24, 2016

Fresh Faces: New Portraits by Los Angeles Artists



Tonight in Santa Monica: 
Fresh Faces: New Portraits by Los Angeles Artists presented by Saatchi Art
My portrait of Anna May Wong is part of this upcoming exhibition in Santa Monica. Anna May Wong was the first Chinese American film star, and the first Asian American actress to gain international recognition.
Her acting career went from silent films to talkies, to stage, to radio, and to television.

Born in Los Angeles, a few blocks from Chinatown, Anna May Wong's career has been an inspiration for many. My painting was created as an homage to Anna, sourced from numerous photo stills and film clips from the era.
Please join Saatchi Art in celebrating the opening of
FRESH FACES
New Portraits by Los Angeles Artists
THURSDAY, MARCH 24, 2016
7-9PM
Saatchi Art at Demand Media
1655 26th Street, Santa Monica, CA 90404
For complimentary valet parking, enter lot via 26th Street.
Please RSVP by March 17th at the link below.
Fresh Faces, curated by Saatchi Art curators Katherine Henning and Jessica McQueen, continues Saatchi Art's series of exhibitions around the world featuring today's most exciting emerging artists.
The exhibition will feature recent works by 14 Los Angeles-based artists, including Kevin Bradley, Gregg Chadwick, Karen Clark, Fabio Coruzzi, Steven Engelmann, Maria Folger, Minas Halaj, Mark Hobley, Tahnee Lonsdale, Mallory Morrison, Christopher Mudgett, Brian Oldham, Stephanie Vovas and Adrian Kay Wong.
The exhibition will be on view from March 24 through May 13, 2016. Gallery hours: Monday through Friday 10am-5pm and Saturday by appointment. Gallery contact: curator@saatchiart.com.
All works are for sale at the exhibition in Santa Monica and online at Saatchi Art. To view, please visit saatchiart.com/show/freshfaces.
‪#‎FreshFaces‬

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